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Oil Paintings

For many years I worked on abstract watercolors by painting through torn rice paper shapes to stain watercolor paper. While used in the process, the rice papers were not part of the finished artworks. I set them aside to dry and stored them -- for over a decade -- thinking that some day I would use them. When I finally began to use the rice papers in collages after not seeing them for so long, the process and compositions felt entirely fresh and intuitive. it was like working with found objects. I tried many combinations and the works grew organically. The collages became sketches for my most recent large-scale oil paintings.

 

Maquette 69

Maquette 44

Maquette 26

Maquette 67

Adrift

Maquette 55

Maquette 33

Maquette 77

Odyssey

Maquette 3

Maquette 43

Night Passage

Tectonic Shift

Maquette 24

Maquette 36

Maquette 37

 

 

 

When I began aggressively shooting photos of American scenes, my plan was to combine images into finished digital collage compositions. Years later I reviewed my many thousands of photographs and asked myself: “Which of these images are strong enough to stand on their own?” and “What makes a truly iconic American image?” These paintings, because of their scale and interpretation of the photographic reference, offer possibilities to multiply the power of the photographed image. While these works are painted as individual artworks, each image is like a scene in a movie about America. These paintings are an effort to create iconic American images.

Amber, Ready for the Gloves

NYC Bouquets

Leaving Denver

12 Cakes

Hanging Out at the Fair

Cotton Candy

Queen Anne's Lace

Wildflowers 2

Prairie Grass

Bed, Talbot Hotel

Empire Diner

 

Green Lake

Lemonade 2

State Fair Riders

Factory

Untitled No. 3 (Parking Ramp)

Out of the Gate

Once Lost

Snowfall

Midway Rides State Fair

Rodeo Clown Generations

New York City

Factory 2

Chawne

Midway Lights

 

Older paintings may be viewed in the following galleries on this website:

Iowa Pastimes: Politics and State Fairs

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